Magdalena – or “Mabe” as we call her – is Polish by blood but Australian at heart. He still hasn´t worked on any vampire movies. After a double Marvel whammy of “Doctor Strange” and “Guardians of the Galaxy Volume 2” for Framestore, Jim took the position of Comp Supervisor at Goodbye Kansas London where he oversaw George Clooney´s “Suburbicon", Outlander and the new Robin Hood feature. Returning to London Jim has since worked with “The Muppets”, members of Monty Python and Australians playing Gods of Egypt. After Cinesite Jim traveled to Image Engine, Vancouver to work on the hugely successful “Zero Dark Thirty” and the somewhat less successful “R.I.P.D” which he still thoroughly enjoyed doing. This lead to a long and joyous stint at Cinesite where Jim worked on five Harry Potter movies, two talking dog films and was part of the Oscar winning team on “The Golden Compass”. This lead onto him working on the zombie-reviving epic “28 Days Later” as his fist feature film. As luck would have it acclaimed director Danny Boyle brought some short films to Clear Limited where Jim worked.
Initially he learned his compositing skills in commercials and pop promos, working on videos for everyone from Oasis to Iron Maiden to various Spice Girls. Sadly vampires turned out to be a work of fiction so Jim vowed to work on films which portrayed them instead. Jim´s childhood dream was to become a vampire when he grew up. In 2017, in search of new experiences and opportunities, he relocated to Vancouver as a lead artist on the build team at DNEG's new North American branch.During his career in feature film VFX he has honed his craft in creature modeling and facial blendshape setups through contributing to numerous award winning films including, Marvel’s Ant-Man and the Wasp, Godzilla, Pacific Rim: Uprising and recent blockbuster Dune. After several years in Canada, Daniel returned to his home country of Sweden to take on the Head of Modeling role at Goodbye Kansas.
#Dice digital compositor job movie#
There he focused on building experience of the visual effects pipeline and developed his technical and artistic ability in character modeling, texturing and grooming.In 2013 he made the move to London to fulfill his dream of working on feature films, spending 4 years at DNEG London on the modeling team where he contributed to productions such as Ridley Scott's Exodus and The Bond movie Spectre. A love of movies, writing and modelmaking eventually opened his eyes to the world of filmmaking.After receiving his bachelor degree in computer graphics at Luleå University Daniel started his career in Visual Effects in Stockholm working for creative animation studios including Milford Film & Animation and Visual Art. He is also one of the regulars of the Goodbye Kansas podcast “Yellow Brick Road”.ĭaniel always knew he wanted to pursue a future that was equal parts creative, rewarding and challenging.
#Dice digital compositor job full#
Working many years with both live action on set and full CG/virtual productions with heavy use of Motion Capture has given him a unique set of skills, and makes him the ideal game cinematic director.
He has been part of many AAA titles, such as “Dragon Age: Inquisition” (Game of the Year 2014), the “Battlefield” franchise, “Mirror’s Edge”, “Conan Exiles”, “Raid: World War II”, "Overkill's The Walking Dead”, “Suicide Squad: Kill The Justice League” and "Cyberpunk 2077". Fred thinks of his work to be more in line with creating short films or a clip from a feature film, as his goal is to focus on the layers of the characters through emotions and complex narratives.ĬD Projekt Red, Rocksteady, Guerrilla Games, Dice, BioWare, Sony Computer Entertainment, 2K Games are amongst his roster of clients. He’s heavily involved in script development working closely with our clients, focused on strong compelling characters and dynamic narratives. In 2004 he directed the international hit “In The Shadows” by The Rasmus, followed by a couple of MTV Gala Awards.įor the past six years at Goodbye Kansas he’s evolved together with our VFX artists creating some of our biggest game cinematics such as the "Cyberpunk 2077" franchise. Fredrik (or "Fred" as we call him) started his directing career in 2002, working with music videos.
0 kommentar(er)
